Download roman krater9/10/2023 “Christie’s, too, in this instance as well, could and should have done this, months before the auction,” he said, adding that the Carabinieri have had records of the two artifacts since 2001-2002. Tsirogiannis said that vendors in the art market should, as a matter of due diligence, reach out to international authorities to check if an object is listed in databases used to recover cultural property. A Christie’s representative said the house is continuing to conduct research on the Roman helmet. “In the case of the upcoming sale of these lots, the research we conducted gave us no reason to believe that any of these lots are from an illicit source,” the statement said. In a statement, a Christie’s spokesperson said the house dedicates “considerable resources” to investigating provenance. (Some of the records in Tsirogiannis’ database were obtained by authorities during cultural property seizures.) In 2018, Tsirogiannis’s research into a group of 50 objects led to a lawsuit between Sotheby’s against the Greek culture ministry.Īuction houses do not have access to Tsirogiannis’s archive, which unlike other research resources used for provenance research by dealers, has not been made available for public use. The archeologist has tracked illegally traded artifacts through a photographic archive he has compiled over the last decade. “But the most unfortunate element is that the laws of many countries do practically nothing about it.” “Incomplete provenance is unfortunately the norm in the antiquities market,” Tsirogiannis told ARTnews in an email. A Roman Tinned Copper Cavalry Parade Helmet, circa late 2nd-first half of 3rd century A.D.
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